Hamann's "Aesthetica in nuce"
I feel frightened to enter into discussion on Johann Georg Hamann (1730-88). He is an intriguing figure of the German enlightment and 18th century literature, whom many contemporaries (presumably those who were positively disposed towards him) regarded as an obscure thinker. The less positively disposed thought he has completely lost it. Those who need a magisterial introduction to his theological thinking should consult Oswald Bayer's superb "A Contemporary in dissent" (Eerdmans 2012). I admit that I lack the thoroughness and perspicuity of Bayer's study. Nevertheless, the very boldness of Hamann's writings, his disregard of rules of grammar and philosophy, his appetite for the lowly and contradictory, urge me to read and comment his famous essay "Aesthetica in nuce" (aesthetics in a nutshell). Hamann's texts are a jungle of diverse styles and literary genres where "exuberant demonstrations of learning" (to employ words of Kenneth Haynes